Count Me In Remix EP Rebelution

Following the massive success of their 2014 studio effort COUNT ME IN⁠, Rebelution shifted focus from the bright, polished arrangements of the original tracks toward a more experimental, sound-system-oriented perspective. The COUNT ME IN REMIX EP serves as a sonic recalibration, stripping back the radio-ready hooks to reveal the heavy-duty roots foundation that has always anchored the Santa Barbara quartet. Rather than a mere collection of alternative takes, the project functions as a curated bridge between the band's signature California reggae-pop and the deeper, textural world of dub, marking a significant early milestone in their partnership with the label.

The production credits read like a map of the Easy Star universe, most notably through the inclusion of label co-founder Michael Goldwasser. His "Easy Star Remix" of "Hate to Be the One" carries the same meticulous attention to space and rhythm that defined his landmark work with the Easy Star All-Stars. By bringing in collaborators like Yeti Beats and Marshall "Ras MG" Goodman, the EP injects a variety of styles into the mix—from the lean, percussive drive of the "De-Stress" remix to the hazy, atmospheric expansiveness that characterizes much of the label's progressive catalog.

The vocal reimagining is equally intentional, transforming the original solo performances into a broad communal dialogue. The addition of veteran roots legend Don Carlos and New Zealand's Katchafire on "Roots Reggae Music" provides a gritty counterbalance to Eric Rachmany's smooth delivery, grounding the track in a more traditional reggae lineage. Meanwhile, the Pacific-island influence of The Green, J Boog, and Iration on “More Love⁠” highlights the tight-knit synergy of the modern reggae circuit, echoing the collaborative spirit found in other label highlights like the “Attention Span Dub⁠” series and the later DUB COLLECTION⁠.

A standout moment of the release is the contribution from Dub Architect, whose "Roots Reggae Music" remix is best experienced alongside his live dub video. Watching him at the "dub lab" mixing board—manually riding the faders and twisting delay knobs in real-time—brings a visceral, analog energy to the digital age. It's a compelling look behind the curtain of the dub process, turning the studio itself into a performance instrument. Ultimately, this EP stands as a testament to the durability of Rebelution's songwriting, proving that their music is as effective in an echo-drenched hall as it is on a festival main stage.